Respecting the awesome power of words!

Posts tagged “words

Santa Fe

fullsizeoutput_1a79

      Words, words, 
   more words; 
and for what? 

      Bodies, bodies, 
   more bodies; 
and for what? 

            Bow to the 2nd, 
         blame it 
      on mental illness, 
   and brace yourself 
for the next one. 

         What will you say 
      to the grieving; 
   parents, friends, 
relatives, siblings? 

   Keep your thoughts 
and prayers to yourself. 

            Come back 
         when you’re ready 
      to DO something; 
   not something symbolic,
something substantive. 

         Until then, 
      stay home, 
   stay off the air, 
just stay. 

© 2018 Todd Jenkins
Advertisements

“Free Ears”

fullsizeoutput_1c7e

 

      That’s the sign
     I’m going to hand-letter
    on poster board
   and hang across
  the front of a card table
 near a busy
pedestrian intersection.

Perched behind
 the advertisement,
  I’ll offer an empty chair
    for passersby,
      leaning-in as they
       take a load off,
        giving their stories
         a roost to call home.

   What tale
  would you spin,
 right there in front
of God and everybody?

I might tell
 of the gut-punch
  that overwhelmed me when,
   over a six-week eternity,
    my mom permanently crossed
     from full physical function
      to forever flatlined;

how I lay awake nights,
 bouncing between
  trying to wake up
   from the nightmare,
    and silently plea-bargaining
     with nothing but
      my own life
       and confession as leverage.

      I used to think
     that telling it
    to anyone who’d listen,
  over and over,
 could somehow
change the story.

Then one day
 I realized that I
  was the one changed
   in its telling.

  You don’t have
 to wait for the sign, table,
and chairs to appear.

I keep my free ears
 with me most of the time.

What about you?

© 2018 Todd Jenkins

Wild Words

IMG_3731Photo by Owen Todd Jenkins

 

When language is also open
    to emotion, as opposed
    to intellect alone,
    it is less controllable,
    and thus threatening
to the status quo.

Feelings, and words infused
    with their energy, can be
volatile change-agents.

I suspect that poetry,
    with its clandestine double entendre
    and metaphorical open-endedness,
    rests near the limit
    of our privileged ability to hear,
    without being shocked
into shut-down.

Narrative preaching,
    in its often-predictable 
    fairy-tale-ness,
    is good for the business
of the stock-market classes.

One of the few challenges
    to that is parable,
    which Jesus either
    used a whole lot,
    or it was about the only thing
    that survived generations
    of oral transmission and memory
between Golgotha and the gospels.

Even the remembrance
    of Jesus’ parables rarely,
    if ever, includes 
    the Nathan-to-David
    prophetic table-turn of,
“You’re the man!”

Security, prosperity,
    and social dominance
    are mammon
    of crack-cocaine allure,
    depriving those addicted —
    both speaker and listeners —
    of the essential gift
of life-giving manna.

Their anesthesia-like qualities
    stand guard at the door,
    duct-taping emotion’s mouth
before it ever leaves the heart.

“Big boys don’t cry.”
    the guards say, and,
    “Frozenness is a sign
    of chosenness.”
    as well as,
    “He who controls his feelings,
    and thus his words,
controls the world.”

And then the poet
    bursts upon the scene,
    or maybe just scribbles a few stanzas
    on a sea of blank space,
    threatening to unleash
    a marrow-deep flood
of soul-wrenching response.

Lord, in your mercy,
uncork our hearts.

© 2018 Todd Jenkins

 


Conversation Stopper

IMG_7340

We know the world is filled
 with naysayers — those whose actions,
auras, and words are pins pricking
our dream-inflated aspirations —
because we see and feel them
pressing-in on us every day;

proud to recite a litany
of their prognostications,
like a search engine
of Nostradamus snippets
strung together to match
reality, after the fact.

It’s a bit more challenging
to face the they-sayers, however,
as they mostly quote shadowy majorities
of influential figures who’re either
too polite or too afraid to come forward,
all the while, as mouthpieces
claiming neutrality, if not skepticism
on their own behalf.

Once you’ve been trained
as a they-sayer, it’s difficult
to see that your regurgitation,
allowing the clandestine mob
to remain anonymous, clearly signals
your complicity and agreement,
while denying us all the opportunity
to participate in conversation and discussion.

If you’re not willing
to claim ownership
of the bull, you shouldn’t
be letting it out of the pasture.

© 2018 Todd Jenkins

Spoken Hearts

hh6

 

Those who are
 vocabulary-challenged,
  and/or overcome by fear,
  often feel forced
 to abandon oral communication
in favor of violence;

the bravest, or perhaps
 the most desperate,
perpetrate physical aggression;

those with lesser gumption
 often assault language itself,
  waging battle against long-held meaning,
 gas-lighting society
into lexical confusion.

The rest of us
 are then tasked
  to hold firm
   to the tension
    between conflict
     forced upon us,
    and the eternal possibility
   of language,
  refusing to abandon
 the common ground
of our shared meanings.

In the end,
 war’s horror cannot
  stand on its own;
  and words, with their
 community interpretations,
will win,

because our common story
 outlives every other blitzkrieg,
  and love’s vocal evocation
 eventually woos
even frozen, trembling hearts.

          And now faith, hope, 
          and love abide, these three; 
          and the greatest of these is love. 
          (1 Corinthians 13:13)

© 2018 Todd Jenkins

 


Here We Are

FullSizeRender (75)

I wanted my words
to make a difference;
not just the words
that leaked out of my mouth
in the heat of the moment,

but the words that seeped
out of my veins, carrying parts
of me from the deepest places
I’ve yet to plumb,

when your pain stabbed me
with the dull side of its blade,
its razor edge sunk
to the hilt in your heart.

I wanted my blood
to make a difference;
but it didn’t.

At least, it didn’t effect
the wispy dream of reconciliation
I constructed with letters,
punctuation, and space —
lots of space.

So, here we are,
on the far side of words —
on the dried side of blood —
and the wet side of tears;

still groping for the edge
of the grave,
still hoping for breath
not squeezed tight
by pain and rejection.

Here we are.

Here we are.

© 2018 Todd Jenkins

Borrowed Ears

IMG_3457

(a preacher’s dream/hope for a new year)

 

Some folks are great
at telling stories
with their mouths.

Theirs are the most detailed
and most accurate.

They are also the longest
and often the most boring,
stumbling and fumbling
over facts irrelevant
to both the point of the story
and their listeners.

Other people are great
at regaling you
with their own ears,
keenly aware of how
their tales make them appear
 in the eyes of their audience.

Whatever else you’ve learned
when they are finished,
you now see them
in a more ethereal light.

Help me, O Lord, learn how
to unfold narratives
using borrowed ears,
so my listeners hear,
not me or
my most presentable self
or their pretend selves,
but their deepest, richest selves
in the story.

Even more, let their ears
tell me how to verbally reveal
glimpses of grace,
calling us all to a hope
that is deeper, broader,
more connective,
and more accessible
than before vocal chords strummed
and ear drums beat
in synchronized rhythm.

© 2018 Todd Jenkins

 


Revolutionary

zrevolutionary

 

Poetry, like parable,
  is a powerful strain
   of subversive resistance.

        In parable, most often,
      by the powers
    of familiarity and comfort,
  we are lulled into sidling up
to prophetic truth
  with no more hesitation
    or anxiety than a carefree child
      lounging in the autumn grass
        with a magnifying glass
      or a beloved, snoozing family pet.

    Poetry seduces us,
  by a trinity of brevity,
wherein we find
  both breathing room
    and a niche for inserting
      our own narrative;

        simplicity, refreshing us like
      a summer rain shower;

    and a turn of phrase,
  opening neural pathways
of imagination we’ve either
  long-forgotten or never knew existed.

    Our first few encounters
      with these radical forms
        of blood-fueled ink
      can be chalked up
    to inexperience or naïveté.

  Eventually, however,
we will probably have to admit
  that something deep within
    hungers for such
      a revolutionary soirée.

© 2017 Todd Jenkins

 


Yarn

IMG_0895

Story is neither magic
nor medicinal,
in and of itself.

It is simply a way
of connecting yesterday's thread
of existence with today's,
laying groundwork
for the possibility of tomorrow.

It can be weaponized,
like most any tool,
when the tales told come
from a single source,
and one that’s oblivious
to every character but self.

If you want to feel
its purest form,
let a child spin you
yarns of truth formed
in the crucible
of innocence and vulnerability.

Then, you'll understand
the lines on which
the world turns.  

© 2017 Todd Jenkins


Death-Defying

GJK 36Photo by Gay Jenkins Howell

The truth of Adam and Eve,
a friend told me, is
"A fig leaf is no substitute
for a therapist."

So much here to feast on;
so much here to run from;
so much here too real to face,
yet too close to reject.

Let us dare to live and breathe
in a naked now, O holy one,
not as tawdry exploitation
of bodies as objects,

but as death-defying risk
of abandonment to no less
and no more than our light-reflecting
and shadow-casting selves;

for the truth of creation's story
cannot be told
without such revealing.

Let both our poetry
and our prose
stand and fall
as blood-pumping gamble
of allowing the narrative
of who we are
to pulse out of
our own woundedness,

for it is in and from
our stories that we'll live
and die and be resurrected,
not just in the end,
but also in the breath
of their telling.

© 2017 Todd Jenkins